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Sunday, July 26, 2020 | History

5 edition of The Oxford handbook of the new cultural history of music found in the catalog.

The Oxford handbook of the new cultural history of music

Jane F. Fulcher

The Oxford handbook of the new cultural history of music

by Jane F. Fulcher

  • 35 Want to read
  • 31 Currently reading

Published by Oxford University Press in New York City .
Written in English


Edition Notes

Includes index.

Classifications
LC ClassificationsML55 .O97 2011
The Physical Object
Paginationp. cm.
ID Numbers
Open LibraryOL24553700M
ISBN 109780195341867
LC Control Number2010021716
OCLC/WorldCa632228317

Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide. The contributors to this Handbook outline community music\'s common values that center on social justice, human rights, cultural democracy, participation, and hospitality from a range of different cultural contexts and perspectives. As such, The Oxford Handbook of Community Music provides a snapshot of what has become a truly global phenomenon.\".

  The Oxford Handbook of Film Music Studies (Oxford Handbooks) - Kindle edition by Neumeyer, David. Download it once and read it on your Kindle device, PC, phones or tablets. Use features like bookmarks, note taking and highlighting while reading The Oxford Handbook of Film Music Studies (Oxford Handbooks).Reviews: 3. Book Description. The thoroughly revised and updated second edition of the Routledge Handbook of Cultural Sociology provides an unparalleled overview of sociological and related scholarship on the complex relations of culture to social structures and everyday 70 essays written by scholars from around the world, the book brings diverse approaches into dialogue, charting new pathways.

The Oxford Handbook of Music and the Brain is a groundbreaking compendium of current research on music in the human brain. It brings together an international roster of 54 authors from 13 countries providing an essential guide to this rapidly growing field. Books shelved as music-history: The Rest Is Noise: Listening to the Twentieth Century by Alex Ross, Please Kill Me: The Uncensored Oral History of Punk b.


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The Oxford handbook of the new cultural history of music by Jane F. Fulcher Download PDF EPUB FB2

The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the work of musicologists concerned with cultural history and historians who deal with music.

In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience, understanding, and communication as they are manifest or expressed symbolically through various layers of culture.

The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music.

In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human experience. Demonstrates how music is becoming unique mode of access into specific cites of cultural representation, exchange, contestation and the construction of experience New theoretical dimensions or inquiries characteristic of "the New Cultural History of Music" Features contributors at the forefront of both musicology and history.

Get this from a library. The Oxford handbook of the new cultural history of music. [Jane F Fulcher;] -- As the field of Cultural History grows in prominence in the academic world, an understanding of the history of culture has become vital to scholars across disciplines.

The Oxford Handbook of the New. The Oxford handbook of the new cultural history of music. [Jane F Fulcher;] -- This volume demonstrates a new approach to cultural history, as it now being practiced by both historians and musicologists, in their quest to grasp the realms of human experience understanding.

The Oxford Handbook of the New Cultural History of Music does a good job of setting out the scene in the light of such changes and doubts, of identifying some major trends, and of suggesting where ideological and methodological developments are likely to lead.

The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music.

In this volume, noted academics from both of these disciplines illustrate the continuing endeavor of cultural history to grasp the realms of human Format: Paperback. The New Oxford History of Music: Opera and Church MusicVolume V by Anthony Lewis Hardcover $ Only 1 left in stock - order soon.

Ships from and sold by s: 1. The book's thirty chapters present innovative theoretical perspectives illustrated through new ethnographic case studies on diverse music and dance cultures around the world.

Together these essays reveal the potency of acts of revival, resurgence, restoration, and renewal in shaping musical landscapes and transforming social experience.

The Oxford Handbook of Sound Studies offers new and engaging perspectives on the significance of sound in its material and cultural forms. Introduction: Defining the New Cultural History of Music, Its Origins, Methodologies, and Lines of Inquiry Gender, Performativity, and Allusion in Medieval Services for the Consecration of Virgins Music, Violence, and the Stakes of Listening.

The Oxford Handbook of the New Cultural History of Music cultivates a return to the fundamental premises of cultural history in the cutting-edge work of musicologists concerned with cultural history and historians who deal with music. The new cultural history of music seeks to investigate precisely such arenas in which a close musical analysis must interact with a sophisticated understanding of the semiotic or linguistic dimension while maintaining a comprehensive grasp of the relevant social, cultural, and political dynamics.

The book's thirty chapters present innovative theoretical perspectives illustrated through new ethnographic case studies on diverse music cultures around the world.

Together these essays reveal the potency of acts of revival, resurgence, restoration, and renewal in shaping musical landscapes and transforming social experience.

"Taken as a whole, the book lives up to the expectations of the Oxford Handbook Series-it takes a very broad and interdisciplinary approach to evaluating the current state of the field This volume is a must read for any scholar pursuing the serious study of music in film and other audiovisual media, and it will be of particular value to graduate students interested in film music studies."--Reviews: 3.

The Oxford Handbook of the New Cultural History of Music; The Oxford Handbook of the New Cultural History of Music. ISBN: The volume illuminates how musicologists and historians are practicing the new cultural history of music, employing similar rubrics and specifically those emerging from the recent synthesis of theoretical.

Welcome to MusicMusic: Its Language History, and Culture. The course has a number of interrelated objectives: 1. To introduce you to works representative of a variety of music traditions.

These include the repertoires of Western Europe from the Middle Ages through the present; of the United States, including art music, jazz, folk. The Oxford Handbook of Material Culture Studies introduces and reviews current thinking in the interdisciplinary field of material culture studies.

Drawing together approaches from archaeology, anthropology, geography, and Science and Technology Studies, through twenty-eight specially commissioned essays by leading international researchers, the volume explores Reviews: 3. Read this book on Questia.

The present work is designed to replace the Oxford History of Music, first published in six volumes under the general editorship of Sir Henry Hadow between and Five authors contributed to that ambitious publication--the first of its kind to appear in English.

The Oxford Handbook of Music and the Brain is a compendium of current research on music in the human brain. An international roster of 54 authors from 13 countries have written overwords that are organized into 33 chapters.

Music on the Academic Oxford University Press website. With audio and video recordings and o articles, Grove Music Online is the ultimate interactive source for music .Immerses students in the engaging story of the Western musical tradition.

By emphasizing the connections among works, both within each cultural era and across time and place, the text goes beyond a basic retelling of the music's history to build students' ability to listen critically to key works.

The contributors to this Handbook outline community music's common values that center on social justice, human rights, cultural democracy, participation, and hospitality from a range of different cultural contexts and perspectives. As such, The Oxford Handbook of Community Music provides a snapshot of what has become a truly global : Lee Higgins.